All ROSA, Salvator 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
8960 A Friar Tempted by Demons dy  A Friar Tempted by Demons dy   1660-65 Oil on canvas 65 x 83 cm Galleria Nazionale d'Arte Antica, Rome
8959 Democritus in Meditation af  Democritus in Meditation af   c. 1650 Oil on canvas, 344 x 214 cm Statens Museum for Kunst, Copenhagen
8962 Harbour with Ruins af  Harbour with Ruins af   1640-43 Oil on canvas, 87,5 x 111 cm Museum of Fine Arts, Budapest
8961 Human Fragility set  Human Fragility set   Oil on canvas, 199 x 134 cm Fitzwilliam Museum, Cambridge
8963 Odysseus and Nausicaa st  Odysseus and Nausicaa st   Oil on canvas, 194,5 x 144 cm The Hermitage, St. Petersburg
8958 Portrait of a Man d  Portrait of a Man d   Oil on canvas, 78 x 64,5 cm The Hermitage, St. Petersburg
8964 Portrait of the Artist's Wife Lucrezia af  Portrait of the Artist's Wife Lucrezia af   1657-60 Oil on canvas, 66 x 50,5 cm Galleria Nazionale d'Arte Antica, Rome
8966 River Landscape with Apollo and the Cumean Sibyl gq  River Landscape with Apollo and the Cumean Sibyl gq   c. 1655 Oil on canvas, 174 x 259 cm Wallace Collection, London
8967 Self-Portrait af  Self-Portrait af   Oil on canvas Metropolitan Museum of Art, New York
8968 Self-portrait dh52  Self-portrait dh52   c. 1641 Oil on canvas, 116 x 94 cm National Gallery, London
8965 The Prodigal Son dg  The Prodigal Son dg   1640s Oil on canvas, 253,5 x 201 cm The Hermitage, St. Petersburg
8969 View of the Gulf of Salerno  View of the Gulf of Salerno   1640-45 Oil on canvas, 170 x 260 cm Museo del Prado, Madrid
8971 Warrior af  Warrior af   Oil on canvas Galleria Chigi Saracini, Siena
ROSA, Salvator
Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament



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